Jan Brueghel
1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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Jan Brueghel Jan Brueghel the Elder, A Fantastic cave with Odysseus and Calypso oil painting


Jan Brueghel the Elder, A Fantastic cave with Odysseus and Calypso
ca. 1616(1616) Oil on canvas cjr
Painting ID::  80254
Jan Brueghel
Jan Brueghel the Elder, A Fantastic cave with Odysseus and Calypso
ca. 1616(1616) Oil on canvas cjr
   
   
     

Jan Brueghel Village Scene with a Canal oil painting


Village Scene with a Canal
oil on copper painting by Jan Brueghel the Elder, 1609, 22 x 34 cm Date 1609(1609) cyf
Painting ID::  81529
Jan Brueghel
Village Scene with a Canal
oil on copper painting by Jan Brueghel the Elder, 1609, 22 x 34 cm Date 1609(1609) cyf
   
   
     

Jan Brueghel Sea port with the lecture of Christ oil painting


Sea port with the lecture of Christ
78 x 119 cm (30.7 x 46.9 in) cyf
Painting ID::  82943
Jan Brueghel
Sea port with the lecture of Christ
78 x 119 cm (30.7 x 46.9 in) cyf
   
   
     

Jan Brueghel Sea port with the lecture of Christ oil painting


Sea port with the lecture of Christ
1st quarter of 17th century Dimensions 78 x 119 cm (30.7 x 46.9 in) cyf
Painting ID::  83152
Jan Brueghel
Sea port with the lecture of Christ
1st quarter of 17th century Dimensions 78 x 119 cm (30.7 x 46.9 in) cyf
   
   
     

Jan Brueghel The Original Sin oil painting


The Original Sin
1616(1616) Medium Oil on wood cyf
Painting ID::  83662
Jan Brueghel
The Original Sin
1616(1616) Medium Oil on wood cyf
   
   
     

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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